The Last Red Ranger

Have you ever watched The Last Samurai and thought “I’d really like to see this as a TV show, and as Power Rangers”? Well, hiring Tom Cruise would have blown the budget, but Saban’s triumphant return to owning the franchise made that wish come true. If you’re one of those who made that wish, I hate you.

See, he even wears red armour!

See, he even wears red armour!

Now, this isn’t the first time East Asian cultural elements has appeared in the Power Rangers. Unsurprising considering that much of the footage is adapted from Super Sentai, a Japanese series where every year, you have a group of colourful heroes with different theme fighting monsters also with different themes. It’s only to be expected that it’ll have Japanese cultural elements. I did say East Asia up there though, because Dairanger and Gekiranger.

When I was little and I was watching Mighty Morphin’ Power Rangers, I noticed that the Red Dragon Zord was an East Asian dragon. Then when Tommy returned as the White Ranger and summoned the White Tiger Zord for the first time, and he gets into the cockpit and then it looks cool and stuff. I remembering going “Hey, those are Chinese words!”

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A Semi-Coherent Rant on Homoerotic Subtext

This is something I’ve talked about before with reference to the Bromance in Teen Wolf. But that was through moderate, restrained and I’m done with that. My temper has snapped and it’s time for a rant.

I am bloody sick over the fawning over shows because of their pathetic subtext. Call it slashwink. Call it “queerbait.” Call it homo-bromance. Call it what you will, I’m sick of it. I’m sick of it being used as a complete replacement for actual GBLTQ content or characters. I’m sick of the massive praise and joy of the latest hint of homoerotic subtext with barely a breath of criticism of the complete and utter erasure those show actually have.

And enough with the fucking “fanon” wish-fulfilment. Slash fans over and over again pretending that the characters are being presented as “bisexual really so it’s INCLUSIVE honest” – of course because it makes their thrice damned ONE TRUE PAIRING canonically possible. Stop! Your desperate attempt to morph the show to fit your fantasy doesn’t make it inclusive or real. Desperately trying to cast Dean as bisexual as canon? Really? And there is no damn indication on the show that Stiles is bisexual (no, Word of Gay doesn’t count, especially when it’s “could maybe, sorta, possibly” slashbait). And if one more person asks me “How did he get the numbers of all those drag queens?” as some kind of proof of his bisexuality, I’m going to scream. He has the numbers because the writers wanted to make a recurring homophobic joke, you clueless fetishists! So they could drag up the drag queens whenever they thought they could get a cheap freaking laugh out of it. The same damn reason they had Stiles fake!come out to his father so he could hit back with a gay joke. It’s not like they didn’t do it before – Scott and Danny dancing, appropriating the hundreds of gay teens who have been evicted from proms for daring not to be closeted – remember that? Yes, mere mention of TEH GAY is considered funny – it’s a homophobic convention that’s been going on since the 60s, if not earlier. Yes it’s old and yes it should have died but it keeps on going – not least  because of slashers grabbing them and jumping up and down with glee over a tired, homophobic, trope.

And don’t tell me that the people who are uncritically squeeing and fawning and praising are the exception. They’re not, they’re really not and, just like with the m/m genre, there’s a distinct lack of criticism of this bullshit and a lot of hostility towards those – especially gay and bi men – who presume to do so. Challenging this subtext is not even slightly the norm.

And yes, the use of subtext instead of inclusion IS BECAUSE OF YOU! Slash is part of the cause! Stop wringing your hands and pretending that slash fandom bears no responsibility for this! That it’s unknown and hidden and why would anyone ever try to direct things at you, the great big secret?! It’s ridiculous to pretend that slash isn’t part of this and then turn round in the same damn breath and be so bloody happy that ZOMG the slashers being TWEETED by the writers of a show and isn’t it amazing?! Or how this actor acknowledged an OTP! Or how you all mobbed a show creator on Twitter and now he’s talking about your pairing! ZOMG!

The writers, the actors, the networks they know about slash. This isn’t new! Or shouldn’t be to you by now! They play to it, all of them. They write the little moments like Stiles passing out on Derek or Castiel talking about his “profound bond” with Dean because they know you’ll lap it up. They produce vids like Tyler Hoechlin cuddling up with Dylan O’Brien on that boat or scenes at conventions like Misha Collins pretending to kiss Sebastian Roche because they know it’s throwing red meat to a large and loud portion of their fanbase. You are having an effect. You are a market they are playing to – and they are playing to you WITHOUT being inclusive because that is sufficient for you.

And don’t tell me this slash fandom is somehow making progress. Supernatural has been running for 8 freaking seasons. Eight. It has openly acknowledged slash in its own canon since season 4. Actual inclusion? Virtually non-existent. Bit characters, usually for comic relief. And why should they do more? They don’t need to be inclusive, and the “offense” risk that brings, because they’ve got a legion of slash fans ready and eager to scream “ZOMG BEST GAY THING EVAH!”

Why make tokens for inclusion cookies anymore? You just have to have hot 2 guys share a lingering look and a gazillion fans will jump up and down panting and hail you as more gay friendly than a rainbow full of glitter covered unicorns. The writers, actors, producers et al are HEARING you, they hear what you’re saying, they see what you’re writing. Congrats, you have been noticed.

But what they’re hearing you say is not “inclusion of GBLTQ people is important,” they’re hearing you say “ZOMG my hot fetish is so hot! Mooooar subtext, rawr!” because that is what you’re saying. Even the protests to make GBLTQ characters canon isn’t “we need some better representation of under-represented GBLTQ characters” it’s far more “MY OTP IS HAWT! I WANT TO SEE IT!”. No-one’s complaining about there being only one GBLTQ character on Teen Wolf and him an under-used token – they’re complaining because they want to see their hawt STEREK!

They’re listening to you – but what the slash community is demanding only pretends to be GBLTQ friendly.

These shows aren’t improving with your slashing. Supernatural, Teen Wolf, Sherlock, Vampire Diaries, Hawaii Five-0, Merlin (and how many others – Being Human UK & US? Grimm? A gazillion more fandom staples) – how many GBLTQ Protagonists? How about main recurring characters?

And this is not only damaging on the inclusion on these shows but it’s also damaging on both criticism and expectation. I’ve seen 2 blogs criticise Teen wolf – rightly – about its crappy depiction of women (we agree, we did too) and it’s awful depiction of race (we agree – and wrote a piece but then Racialicious released their piece a day before, curse our schedule!) and both PRAISED Teen Wolf for its depiction of gay characters. That should be character, of course, single – Danny who only shows up when straight people need something and then for the briefest moment. But hey, he wasn’t been beaten to a pulp! PRO GAY GUYS!!!! This is how low our expectations are – but hey, we got the slashwinks right?

And I’m bloody sick of being asked about boycotting shows for their failed inclusion by people who are loving the damn slashwink bullshit (and completely ignoring GBLTQ erasure in those same shows) – have you seen our watch list? If we boycotted the erased series we wouldn’t have watched half of them – if we don’t include the blatant tokens only a tiny fraction are left!

And don’t even dare to say “baby steps” to me because I am done with that. It is 2012 it’s time to grow the fuck up and start striding – or, since we’ve got so far to catch up – bloody sprinting. We have a media culture that can manage to produce Captain Jack Harkness and openly gay school kids on Glee (for all the many many things wrong with that show), True Blood (for all its many problems) can fit in several gay characters, Lost Girl can have a bisexual protagonist (yes it has problems, but it and Torchwood remain the only programmes I’ve watched not aimed at a GBLTQ audience that actually has us as protagonists). Don’t tell me Supernatural just cannot cannot cannot possibly manage an actual gay character or Teen Wolf couldn’t pull out Danny from the plot box now and then or the Vampire Diaries couldn’t manage a gay character who isn’t putting his straight daughter through torturous conversion therapy while she screams that she’s born this way (yeah that was really fucked up, by the way). Screw your damn baby steps, subtext isn’t a baby step, it’s not even standing still – it’s a great big step backwards to a time when hints were all we can manage. It isn’t the 90s anymore, let’s stop settling for it.

All in all, I am so bloody sick of slashers revelling in, praising and supporting the subtext and completely ignoring or hand waving the erasure and the tokenism. And I am sick of these shows that continually erase us or token us throwing out this subtext and calling it inclusion. We deserve better than this.

The POCs of the Vampire Diaries

Over At The Bar, my girl Ankhesen penned a most excellent series examining THE EPIC RACIST FUCKERY the treatment of the characters of color on the hit series The Vampire Diaries:

 
 
Also check out Fangs For The Fantasy’s comprehensive analysis on TVD which also swings the vervain-laden cluebat.
 
What’s astonishing is that two completely different reviews hit the same points almost verbatim on the consistent fail that TVD brings.

Boycott Mainstream Media

Long time ago when I was young, there used to be a lot of shows with a multicultural cast from different backgrounds. Some was very more PC (political Correct) than others. Mind you my childhood was in the 90’s. Not a lot of black

homes had internet at the time. So we couldn’t look at youtube or other outlets to teach us about the cultures. My family was very fortunate, because I was raise to learn about different things. I was very blessed to the willingness to learn about people although at a young age but it was very limited. I didn’t perceived white and black as a complex thing. In my culture you were human being with different background and you were accepted. Much later on in my years when I was able to go online during the last days of the dail-up system, I was learning. Then in high school I did a paper on the history of Japan from the Sengoku era to the Meiji Era. (Although I failed because I showed more knowledge than the others, but that will come in another time.) I wanted to learn more. Some stuff happened and I saw things differently.

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